![]() George Lucas treated Boba as the strong silent danger with no alliances, a Western warrior of sorts, and Expanded Universe writers had a field day stretching his potential as far as it could go without snapping the character’s mysterious, deadly essence. Since Boba’s first live-action appearance, standing in Darth Vader’s lineup of bounty hunters in Empire Strikes Back, Star Wars fans have dreamed of the masked vigilante’s possibilities as a standalone character. The Book of Boba Fett enters Star Wars media history like a passed gallstone. But it’s a total thrill, and feels like a definitive moment of New Star Wars eclipsing Old Star Wars to save the franchise’s worthy pieces. Besides a final run-in with Ming-Na Wen’s Fennec Shand, who fails to lure Din away from his own interests, the episode has nothing to do with the show that surrounds it. ![]() He duels his fellow Mando, wins, then still finds himself kicked out of the order for not being true to “the way.” Then he returns to Tatooine, not to actually aid Boba in the ongoing attempt to lockdown the Hutt’s territory, but to grab a new vehicle from Peli Motto. He forges Grogu some Beskar armor with the help of the mysterious-but-devout Armorer. He slices through a gang of butcher aliens with his newly acquired Darksaber to collect a bounty. The greatest rebuke to the existence of The Book of Boba Fett came in the form of Favreau’s own collaboration with director Bryce Dallas Howard on “Chapter 5: Return of the Mandalorian.” A complete diversion from the main storyline, Pedro Pascal’s Din Djarin, having handed off Baby “Grogu” Yoda to Luke Skywalker, steps back to the spotlight, and acts like the Boba Fett fans fell in love with in the first place. Still, each week finds Favreau, the sole writer on the series, filling time rather than discovering dimension to a character. For Star Wars fans, the sandbox will always have inescapable pleasures - getting to yelp “Hey, the sarlacc pit!” is not a sign of quality, but it is a minor form of joy. Despite collective shrugs over the nostalgia-encrusted Solo and The Rise of Skywalker, Lucasfilm followed The Mandalorian with a miniseries about Boba Fett that’s been, well, as dry as the Dune Sea. Then, somehow, plans reverted back to the obvious. In the wake of the referential sequel movie trilogy, Favreau and Dave Filoni’s The Mandalorian charted the lives of unknown characters across unknown biomes, and gave new hope to a struggling mega-franchise. In the game of open-ended franchise-building, episode 5 of the Disney Plus series feels like the ultimate defeat, caused by creator Jon Favreau’s own success story. The best episode of The Book of Boba Fett is barely an episode of The Book of Boba Fett.
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